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Modern Drummer is the world’s most widely read drum magazine, is dedicated entirely to the art of drumming and caters to the needs of amateur, semi-pro, and professional drummers.

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Flam Ostinatos - A Creative Approach to a Drumming Staple

In the context of contemporary hybrid rudiments, the flam has been used in different ways to create some new and exciting patterns. Inspired by some of these modern hybrid combinations, I’ve come up with a concept to add yet another…

by Luis Ricardo Méndez
Sep 28, 2018

Essential Cymbal Patterns

Fundamental Figures to Spice Up Your Grooves

by Powell Randolph
Sep 28, 2018

Drumming And Self-Discipline

To some people, self-discipline is a term that carries unpleasant connotations. It may mean “forcing” yourself to do something you hate to do. It may also mean suppressing feelings or ideas, because they are not acceptable to someone else. To…

by Roy Burns
Sep 27, 2018

Studio Drumming: A Producer’s Perspective

Sitting with Val Garay in his office at his studio, Record One, it is easy to see why artists enjoy working with him. He’s easygoing and warm. Even with all the hubbub and demands of the studio, he still puts…

by Robyn Flans
Sep 24, 2018

Drumming And The Big Move

Every now and then, I receive a letter from a frustrated young drummer. Many of the letters say something like: “I have been playing for X amount of years. I’ve taken some lessons, but my reading needs improvement. I play…

by Roy Burns
Sep 24, 2018
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Dueling Drumsets

Back in the ’50s, Jazz At The Philharmonic presented a “drum battle” featuring Gene Krupa and Buddy Rich. To my knowledge, it was the first time they had appeared together. It was an exciting event, and it generated great interest…

by Roy Burns
Sep 20, 2018

Artificial Groupings For Fills

In the July, 1984 MD, in the Ask A Pro column, a reader asked Steve Smith about a fill Steve played on the Journey song “Separate Ways (Worlds Apart).” The notation looked like this: Now, if you were like many…

by James Morton
Sep 20, 2018

Drumming And The Big Break

Young drummers often ask the question, “How did you get your big break?” In my own case, it started when I met Louie Bellson in Kansas City. Louie was visiting the drum studio where I was taking lessons. He played…

by Roy Burns
Sep 14, 2018

Study In 8th-Note Triplets

This month’s Rock Perspectives examines some time feels involving the use of the 8th-note triplet. When practicing these examples, remember to concentrate on the two sound levels (dynamics): Accented notes should be played forte (f), and unaccented notes pianissimo (pp).…

by David Garibaldi
Sep 14, 2018

Drumming And Recording

A red light means “go,” but only in the music business. In every recording studio, the red light means “musicians at work.” The red light means it is time to be serious. The red light means this is a “take.”…

by Roy Burns
Sep 11, 2018

The Quarter-Note Funk Hi-Hat Style

The quarter-note hi-hat style has a distinctive sound and feel that makes it well worth the extra effort required to perfect it. I first heard this style played by Clyde Stubblefield on James Brown’s recording of “Mother Popcorn,” and many…

by Jim Payne
Sep 11, 2018

International Drummers’ Meeting

For the third year in a row, Drumland (a division of the Pro Sound music chain in Germany) recently presented their International Drummers’ Meeting in Koblenz. The director of Drumland—and host for this event—is Jurge Mader. Each year, Jurge brings…

by Roy Burns
Sep 6, 2018
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Individual Hand Control

An effective way to develop control and strength with two hands is to look at the hands individually, one at a time. This is a good way to identify the problems in each hand and to concentrate on the solution…

by Glen A. Bush
Sep 6, 2018

Drumming And Sitting In

A young friend of mine from Massachusetts recently told me the following story. He was working in a club with the group he usually plays with. A man came up to him and asked if he could sit in. My…

by Roy Burns
Aug 30, 2018
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