Rock Perspectives
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Rock Perspectives - Part 5: Paradiddle-Based Hand Patterns
In this lesson we’ll explore double bass groove ideas that incorporate paradiddle-based hand patterns. TO READ THE FULL STORY: SUBSCRIBE TO ACCESS LOG IN
Progressive Drumming Essentials, Part 1: Understanding Odd Time Signatures
Rock Perspectives Progressive Drumming Essentials Part 1: Understanding Odd Time Signatures by Aaron Edgar Before we start playing sick proggy grooves in 17/16, let’s start at the beginning and define time signatures. Time signatures tell us the length of a…
Progressive Drumming Essentials, Part 2: Demystifying Polyrhythms
Rock Perspectives Progressive Drumming Essentials Part 2: Demystifying Polyrhythms by Aaron Edgar Polyrhythms, which are two contrasting subdivisions played simultaneously, can create beautifully hypnotic, entrancing patterns that dance around the pulse. They can also weave themselves into complete and utter…
ROCK PERSPECTIVES - Progressive Drumming Essentials
Has a song ever caught your ear in just the right kind of wrong way, leaving the music feeling twisted? You knew the musicians were playing together correctly, and you might have even been familiar with the song, but what…
Progressive Drumming Essentials, Part 3: Polyrhythmic Patterns
Rock Perspectives Progressive Drumming Essentials Part 3: Polyrhythmic Patterns by Aaron Edgar Last month we learned some of the theory behind polyrhythms, along with how to play these patterns in their most basic form. The next step is to learn…
Progressive Drumming Essentials, Part 4: How to Feel Odd Subdivisions
Rock Perspectives Progressive Drumming Essentials Part 4: How to Feel Odd Subdivisions by Aaron Edgar When I was first learning quintuplets and septuplets, I would mentally cut them into smaller groups of two and three. So quintuplets would be felt…
Rock Perspectives - Groove Contraction
Groove contraction can create rhythmic tension and release. Similar to how, with implied metric modulation, we can use new subdivisions to trick listeners into feeling like the quarter-note pulse has shifted, we can use the concept of contraction to make…
Rock Perspectives - The Notes We Don't Play
Adding rests to complicated subdivisions can be an intimidating endeavor. But just like when you’re learning how to play a 16th-note rest on beat 1, or an accent on the middle partial of a triplet, it’s only tricky at first.…
A New Perspective - Part 2: Three-Over-Two Linear Polyrhythms
The three-over-two polyrhythm is made up of two contrasting rhythms (three equally spaced notes over two equally spaced notes) that are played simultaneously. We can build this polyrhythm by choosing one subdivision to act as a common denominator between the…
Odd Subdivision Offbeats - Ten- and Fourteen-Note Groupings
When examining 32nd notes, we see that they’re twice as fast as 16th notes. Similarly, we can take this idea of doubling subdivisions and apply it to any grouping. In this lesson we’re going to explore ten- and fourteen-note subdivisions,…
A New Perspective - Displacing Two-Over-Three Polyrhythms
This month we’re going to vary the basic phrasing of polyrhythms. Typically, both sides of a polyrhythm begin together on the first note of the rhythm. We can vary this by displacing one or both sides of the rhythm. We’ll…
Rock Perspectives - A New Realm of Groove
It might initially seem strange using the term “groove” in conversations about patterns based in odd subdivisions. But examples of these phrases being used in popular music are abundant. A perfect song to demonstrate this concept is Snoop Dogg’s track…
