Drummers
Modern Drummer is the world’s most widely read drum magazine, is dedicated entirely to the art of drumming and caters to the needs of amateur, semi-pro, and professional drummers.
Chris Copeland of Cosmic Wolf
Hi, Modern Drummer readers! My name is Chris Copeland and no, I am not related to Stewart Copeland, as much as I wish I were! I play drums for the wonderfully talented fiddle player Ruby Jane, and I have a…
VIDEO! Aaron Comess and the Spin Doctors Live in NYC
https://www.youtube.com/watch?v=VQFK1e-N994 On November 23, 2013, Modern Drummer hosted a special evening with the Spin Doctors and drummer Aaron Comess at the Cutting Room in New York City. The night began with NYC radio personality Maria Milito of Q104.3 introducing a…
Afrobeat Master Tony Allen on Tour in the United States
Drummer Tony Allen, who anchored Fela Kuti’s legendary band Africa ’70 and was voted by Modern Drummer readers number forty-nine on MD’s list of the 50 Greatest Drummers of All Time, is currently in the States on a brief…
Bobby Deitch “Mind, Body, Spirit…Drums!???
Hi, MD readers! This is fellow drummer Bobby Deitch. It took a while for me to decide exactly what the subject would be for my second time around at writing a blog for Modern Drummer. After lots of pondering I…
Dixon Presents California 2014 Clinic Tour with Gregg Bissonette
Gregg Bissonette signed with Dixon drums this past April just in time for the Ringo Starr and His All Starr Band’s North American tour. While on break between legs, Bissonette will present his first US clinic tour as a Dixon…
VIDEO! Power Triplets: Putting the Roll in Your Rock (From the October 2014 Issue)
October 2014 Basics Power Triplets Putting the Roll in Your Rock by Rich Redmond These exercises are inspired by the master jazz drummer Elvin Jones. In Elvin’s world, everything was a triplet. Inspired by the rhythms of Africa, he had…
VIDEO! Jazz Drummer's Workshop: Syncopation Revisited: Part 5: Afro-Cuban Applications (From the October 2014 Issue)
October 2014 Jazz Drummer’s Workshop Syncopation Revisited Part 5: Afro-Cuban Applications by Steve Fidyk Welcome to part five in our continuing series on ways to interpret the classic Ted Reed book Progressive Steps to Syncopation for the Modern Drummer. This…
Edd Unwin of Empress AD
I’m Edd, and I play drums for Empress AD. We started the band a long time ago, but we’ve only been playing shows for about a year and a half now, and that time has flown by. I played drums…
Thomas Lang Drumming Boot Camp Dates Announced
Drummer/producer Thomas Lang (Stork, Paul Gilbert, John Wetton) has announced a Thomas Lang Drumming Boot Camp (TLDBC) scheduled for November 14–16, 2014, at the Palm Garden Hotel located at 495 N. Ventu Park Road, Thousand Oaks, California. Reserve your spot…
Mapex “Over the Edge Tour??? With Russ Miller and Rashid Williams
Mapex artists and staff members will be stopping in fifteen cities across the USA for the Mapex SONIClear “Over the Edge Tour.” The tour is designed to allow players to experience first-hand the award-winning SONIClear bearing edge and the sound…
Karl Latham
Hello, Modern Drummer readers! It’s been a while since I last checked in from “the North Woods.” I see all is great in drum land—so many amazing new talents every day! Over the past couple of years I’ve been very…
Jimmi Kane of Tempt
Hey, Modern Drummer readers! This is Jimmi Kane from the NYC-based rock band Tempt. We’re coming up to the one-year anniversary of the band, and I thought that in my blog it would be interesting to give you the drummer’s…
Rudiments On Congas by Alex Acuña Available as Download or on DVD
Rudiments On Congas, available via Drum Channel, features nearly two hours of lesson material from world-renowned drummer and percussionist Alex Acuña (Weather Report, Paul McCartney, Whitney Houston, Herbie Hancock, Chick Corea, and more). Acuña discusses and demonstrates how drumset drummers…
John Fontana of the Futures League
When I was twelve, my two best friends decided they wanted to perform as a band in our middle school talent show. The problem was that only one of us could actually play an instrument with any decency, and that…
