Download December 2020 Issue
As I write this, we are smack dab in the middle of the COVID crisis. This pandemic has affected us all now for many months. I mention this because it’s had a massive impact on musicians working in touring and recorded entertainment. By the time you read this, hopefully many things will have settled down. But we still don’t know exactly what our “new normal” will look like. What will live shows look like? Will local gigs, open jams, and larger shows ever be the same? How far away are we from being back to what we once knew as normal? All of these questions have a common component: time. Only time will give us the answer. So in the meantime, what do we do?
Back in the October 2016 issue, I wrote about retooling your business plan. I believe this continues to be the key to understanding a blueprint for the future of drumming as a hobby or as a profession. Most of us started playing drums to play music with other musicians. We want to create songs and have the exhilaration of performing those songs with and for other people.
During this pandemic, one of the main outlets for musicians to connect has been via video conferencing platforms like Zoom and FaceTime. Even though the technical challenges are great, we’ve found a way to continue to make music. Some of us are piecing together pre-recorded performances to a click to create full ensembles. I’ve also been part of orchestral sessions where we use HD output streaming with a common conductor.
Articles in December 2020
Vic Firth Re-Mix Brushes
A quartet of interchangeable implements for varying degrees of attack, tone, and volume. Vic Firth recently expanded its catalog with four pairs of uniquely designed Re-Mix brushes/rods made from different types of organic material, ranging from soft and subtle broomcorn…
Bill Bruford - Part 1: One of a Kind
Trailblazing West Coast swing drummer Shelly Manne once mused that a true jazz musician never plays it the same way once. Throughout his stellar career, the iconic progressive rock and jazz drummer Bill Bruford had adopted Manne’s paradoxical mantra as…
Marla Leigh
Having “good time” can mean many things to a musician. For this veteran frame drummer, waiting for the right moment to execute a plan, even if that means years, can turn out to be the best decision. For twenty years,…
In the Studio with Drummer/Producer Evan Hutchings
Evan Hutchings made the move from Fort Smith, Arkansas, to Nashville in 2006, enrolling at Middle Tennessee State with a plan to be a studio musician. “I wanted to be Steve Jordan,” he says. “That was the goal.” Like many…
Remembering Neil Peart
Part 4: “YYZ” This transcription is from the Buddy Rich Memorial Concert where Neil Peart played a big band version of the legendary Rush instrumental track “YYZ.” The introduction was conducted and written in 5/4. The main melody is in…
Terry Bozzio
I knew I had to make my own statement or go on for the rest of my life depending on someone else to be the creative genius. I didn’t want to live with myself that way. It’s funny, in the…
Gene Krupa
The Swing Era’s Brightest Star For this series, we’d be very remiss if we didn’t discuss the great swing drummer Gene Krupa. Gene was one of the most prominent people to bring drums to the forefront in an ensemble. Prior…
Bennie Rodgers II
The Oakland, California, native has been applying his vast skills to a style that originated halfway across the globe—and like K-pop itself, he’s been winning over fans from sea to shining sea and beyond. Bennie Rodgers II is a veteran…
Download December 2020 Issue
The Modern Drummer November 2020 Issue – Volume 44 • Number 12, comes in two versions the print version and the extended digital version that includes bonus articles and was used to create our new flipbook. The flipbook experience is…
Dana Hawkins
Drawing on the hectic atmospheres and hyperspeed rhythms of drum ’n’ bass music, the drummer, whose credits include Meshell Ndegeocello, Jeremy Pelt, and Lizzo, is revitalizing jazz with his prickly, seemingly time-altering drumming. The future of drumming, the future of…
Playing to Type
People like to put other people in psychological boxes, and boxes within those boxes: Being an artist takes a certain kind of personality. And among artists, your average actor is said to be like this, while a musician is like…
The D.I.Y. Guide to Drums by Lisa Schonberg
While it was always a quirky addition to pedagogic literature, this hugely expanded 2020 volume retains the handmade charms of the original ’zine and leverages the author’s years of teaching experience to deliver an approachable, delightful roadmap for beginners and…
Jonas Brothers’ Jack Lawless
New Jersey native Jack Lawless started out as the drummer of Joe Jonas’s chart-topping alternative-pop group DNCE. When the Jonas Brothers got back together, Lawless got the call for that tour as well. We were able catch up with him…
Wood or Nylon Tip?
Nylon! Lasts much longer than wood (so you save cash!), and you never have to worry about a chipped stick tip on a ride cymbal. I also play darker cymbals, so the nylon tips add some extra clarity rather than…
The Classic Recordings of Ginger Baker, Part 3: The Solo Albums
Following a prolific period when Ginger Baker made his name with Cream, Blind Faith, and Ginger Baker’s Air Force, and collaborated with Fela Kuti, the mid ’70s found the drummer setting up a recording studio in Africa, playing polo, trying…
Centent Cymbals - Ardor, Sparks, and Emperor Series
Handcrafted and highly affordable B20 options from a Chinese company with roots that date back hundreds of years. Centent is a Chinese company that produces high-quality yet competitively priced cymbals out of different bronze alloys, including B8 (8-percent tin/92-percent copper),…
Stick Technique Revisited
Part 6: Perfect Practice and Building Speed Many drum instructors say, “Play naturally.” The problem with that statement is that we naturally hold on to things tightly. Have you ever seen someone pick up a drumstick for the first time…
Get on the Good Foot!
Hi-Hat Comping Riffs in 3/4 Welcome to the second part of this three-part series on hi-hat comping. In this lesson we’ll explore repetitive hi-hat motifs in 3/4. The phrases included here are intended to help develop dynamic balance between the…
Sonor - Benny Greb Signature Snares
A duo of high-performance drums set to meet—if not exceed—all your backbeat needs. Ten years ago, Sonor introduced the original 5.75x13 signature beech snare for top endorsing artist Benny Greb. Greb and Sonor recently revisited that incredibly popular model to…
