December 2020 – Volume 44 • Number 12
Having recorded and/or toured with archetypal prog bands Yes, King Crimson, U.K., Genesis, and Gong, Bill Bruford has rightly earned his reputation as one of the founding fathers of British progressive rock drumming. Exhibiting a mastery of odd time signatures, a passion to experiment with electronic percussion, an instantly recognizable stinging-ringing snare sound, and a willingness to slip into new and challenging musical settings has afforded Bruford the rare status of royalty in the professional drumming community.
Legendary for his restless creativity, Bruford shocked his bandmates and the music industry at large when he exited the commercially successful Yes for the semi-improvisational King Crimson in 1972. Decades later, musicians of all walks still marvel at the young drummer’s conscientious risk-taking maneuver. “He was so daring, a kid really, in the late ’60s and early ’70s, and in a band many people might think was one of the most pioneering progressive rock groups in the world,” says Mike Portnoy (Neal Morse Band, Sons of Apollo, Dream Theater co-founder). “The fact that even this was not enough for him I think says so much about his character and need to explore.”
Collaborating and at times rhythmically colliding with Crimson’s avant-garde percussionist Jamie Muir, Bruford nudged and bolstered the structure of the very musical apparatus that sustained him—underscoring the fluidity of progressive rock. Bruford’s post-Crimson years of the mid-1970s were spent as both a master musician set adrift in an increasingly corporatized and commercial music industry, and as a free agent seeking to improve his individual listening skills, sharpen his technical acuity, nurture his budding compositional instincts, and discover, if not stumble upon, the all-too-often elusive moment of invention—the sound of surprise.
Articles in December 2020
Simon Phillips
On Reading and Four-on-the-Floor “Not from Here” is one of the songs on a DVD/download titled The Gannin Arnold Project that Drum Channel produced featuring Gannin Arnold, Tim Landers, and Billy Mohler, along with five guest drummers: Taylor Hawkins, Jimmy…
Gretsch, Latin Percussion, Steinberg, Peavey and more
Gretsch Brooklyn Series Drumkits Two new Nitron finishes have been added to the Brooklyn series: Blue Burst Pearl and White Marine Pearl. Constructed from 6-ply North American maple and poplar, Brooklyn series drums are finished with 3 mm double-flanged 302…
Download December 2020 Issue
The Modern Drummer November 2020 Issue – Volume 44 • Number 12, comes in two versions the print version and the extended digital version that includes bonus articles and was used to create our new flipbook. The flipbook experience is…
Dafnis Prieto
Whether it’s through his recordings, performances, videos, or multiple forms of instruction, the drummer actively seeks to knock down barriers of thought and expression. How can you expand your drumming palette for only seven dollars and in only thirty minutes?…
Critique
RECORDINGS Louisiana’s LeRoux One of Those Days The latest from this funky southern-rock institution shows the group still has get-up-and-go. LeRoux, sometimes known as Lousiana’s LeRoux, enjoyed some major-label success with their 1978 Capitol debut and have remained regionally active.…
Marla Leigh
Having “good time” can mean many things to a musician. For this veteran frame drummer, waiting for the right moment to execute a plan, even if that means years, can turn out to be the best decision. For twenty years,…
Jonas Brothers’ Jack Lawless
New Jersey native Jack Lawless started out as the drummer of Joe Jonas’s chart-topping alternative-pop group DNCE. When the Jonas Brothers got back together, Lawless got the call for that tour as well. We were able catch up with him…
Centent Cymbals - Ardor, Sparks, and Emperor Series
Handcrafted and highly affordable B20 options from a Chinese company with roots that date back hundreds of years. Centent is a Chinese company that produces high-quality yet competitively priced cymbals out of different bronze alloys, including B8 (8-percent tin/92-percent copper),…
Remembering Neil Peart
Part 4: “YYZ” This transcription is from the Buddy Rich Memorial Concert where Neil Peart played a big band version of the legendary Rush instrumental track “YYZ.” The introduction was conducted and written in 5/4. The main melody is in…
Chris Frantz’s Remain in Love
The Talking Heads never fit neatly into the grimy mid-’70s New York punk scene that bore the Voidoids, the Ramones, and Johnny Thunders’ Heartbreakers. Transplants from the Rhode Island School of Design, the band’s initial clean-cut aesthetic ran contrary to…
Bennie Rodgers II
The Oakland, California, native has been applying his vast skills to a style that originated halfway across the globe—and like K-pop itself, he’s been winning over fans from sea to shining sea and beyond. Bennie Rodgers II is a veteran…
Get on the Good Foot!
Hi-Hat Comping Riffs in 3/4 Welcome to the second part of this three-part series on hi-hat comping. In this lesson we’ll explore repetitive hi-hat motifs in 3/4. The phrases included here are intended to help develop dynamic balance between the…
Simon Phillips
Showbiz history is dotted with “triple-threat” performers who were top-flight actors, singers, and dancers, from Gene Kelly to Judy Garland to Sammy Davis Jr. to Beyoncé. Rarer still are those who can boast extraordinary performance and technical skills, bona fide…
Dana Hawkins
Drawing on the hectic atmospheres and hyperspeed rhythms of drum ’n’ bass music, the drummer, whose credits include Meshell Ndegeocello, Jeremy Pelt, and Lizzo, is revitalizing jazz with his prickly, seemingly time-altering drumming. The future of drumming, the future of…
Khari Parker (1974–2020)
Drummer Khari Parker passed away on June 27. He was forty-six. Widely respected for his diverse musical skills and top-flight professionalism, Parker was a first-call player for many of the top bandleaders and producers in Chicago and throughout the country.…
Drum City Guitarland
Wheat Ridge, Colorado A former professional drummer who once played drums for Frank Sinatra, Ronny Kae lived and breathed drums. In 1964, with only $50 in his pocket, Kae moved from Brooklyn, New York, to Colorado, where he bought a…
In the Studio with Drummer/Producer Evan Hutchings
Evan Hutchings made the move from Fort Smith, Arkansas, to Nashville in 2006, enrolling at Middle Tennessee State with a plan to be a studio musician. “I wanted to be Steve Jordan,” he says. “That was the goal.” Like many…
Playing to Type
People like to put other people in psychological boxes, and boxes within those boxes: Being an artist takes a certain kind of personality. And among artists, your average actor is said to be like this, while a musician is like…
What Now?
The Four E’s As I write this, we are smack dab in the middle of the COVID crisis. This pandemic has affected us all now for many months. I mention this because it’s had a massive impact on musicians working…
