December 2020 – Volume 44 • Number 12
New Jersey native Jack Lawless started out as the drummer of Joe Jonas’s chart-topping alternative-pop group DNCE. When the Jonas Brothers got back together, Lawless got the call for that tour as well. We were able catch up with him prior to when COVID hit, at a show at Anaheim’s Honda Center, to talk about the gear that he chose for this tour. “For this kit, I just took Steve Ferrone’s sizes,” Lawless says. “I think he’s amazing, and he’s got the greatest feel ever. I knew I wanted a Gretsch kit with a 24" kick.
“During the first couple weeks of this tour,” Lawless continues, “[my tech] Jerry and I were experimenting with a bunch of different heads. We’re more like a pop show, so we went with nice-sounding and resonant drums.” Johnson doesn’t like to use gel dampeners, so he cuts up pieces of old drumheads and tapes them onto the drums. This deadens the head but is a little more resonant than gels. “It’s a little easier to maintain, too.”
Lawless and his bandmates and musical director communicate to one another via monitor-only microphones. “We all have [vocal] mics onstage that aren’t for the house but for our in-ears,” he says. “So we can have conversations that only we can hear. At one point in a rehearsal, our music director, who is positioned at the front-of-house mixing board, was like, ‘Hey Jack, on that one part, choke the crashes. That’s how we worked everything out.”
Articles in December 2020
What Now?
The Four E’s As I write this, we are smack dab in the middle of the COVID crisis. This pandemic has affected us all now for many months. I mention this because it’s had a massive impact on musicians working…
Bennie Rodgers II
The Oakland, California, native has been applying his vast skills to a style that originated halfway across the globe—and like K-pop itself, he’s been winning over fans from sea to shining sea and beyond. Bennie Rodgers II is a veteran…
In the Studio with Drummer/Producer Evan Hutchings
Evan Hutchings made the move from Fort Smith, Arkansas, to Nashville in 2006, enrolling at Middle Tennessee State with a plan to be a studio musician. “I wanted to be Steve Jordan,” he says. “That was the goal.” Like many…
Stick Technique Revisited
Part 6: Perfect Practice and Building Speed Many drum instructors say, “Play naturally.” The problem with that statement is that we naturally hold on to things tightly. Have you ever seen someone pick up a drumstick for the first time…
Nigel Olsson’s ’70s/’80s-Era Slingerland Drumkit
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Marla Leigh
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Gretsch, Latin Percussion, Steinberg, Peavey and more
Gretsch Brooklyn Series Drumkits Two new Nitron finishes have been added to the Brooklyn series: Blue Burst Pearl and White Marine Pearl. Constructed from 6-ply North American maple and poplar, Brooklyn series drums are finished with 3 mm double-flanged 302…
Centent Cymbals - Ardor, Sparks, and Emperor Series
Handcrafted and highly affordable B20 options from a Chinese company with roots that date back hundreds of years. Centent is a Chinese company that produces high-quality yet competitively priced cymbals out of different bronze alloys, including B8 (8-percent tin/92-percent copper),…
Simon Phillips
Showbiz history is dotted with “triple-threat” performers who were top-flight actors, singers, and dancers, from Gene Kelly to Judy Garland to Sammy Davis Jr. to Beyoncé. Rarer still are those who can boast extraordinary performance and technical skills, bona fide…
Bill Bruford - Part 1: One of a Kind
Trailblazing West Coast swing drummer Shelly Manne once mused that a true jazz musician never plays it the same way once. Throughout his stellar career, the iconic progressive rock and jazz drummer Bill Bruford had adopted Manne’s paradoxical mantra as…
Sonor - Benny Greb Signature Snares
A duo of high-performance drums set to meet—if not exceed—all your backbeat needs. Ten years ago, Sonor introduced the original 5.75x13 signature beech snare for top endorsing artist Benny Greb. Greb and Sonor recently revisited that incredibly popular model to…
Cajon You Dig It?
The owner of this month’s KOTM took the now-ubiquitous percussion instrument to its next logical step. The kit that Luke Ross uses with his all-acoustic band Company of Crows is composed entirely of cajons built by the Croaker Percussion company,…
Download December 2020 Issue
The Modern Drummer November 2020 Issue – Volume 44 • Number 12, comes in two versions the print version and the extended digital version that includes bonus articles and was used to create our new flipbook. The flipbook experience is…
The D.I.Y. Guide to Drums by Lisa Schonberg
While it was always a quirky addition to pedagogic literature, this hugely expanded 2020 volume retains the handmade charms of the original ’zine and leverages the author’s years of teaching experience to deliver an approachable, delightful roadmap for beginners and…
Critique
RECORDINGS Louisiana’s LeRoux One of Those Days The latest from this funky southern-rock institution shows the group still has get-up-and-go. LeRoux, sometimes known as Lousiana’s LeRoux, enjoyed some major-label success with their 1978 Capitol debut and have remained regionally active.…
Gene Krupa
The Swing Era’s Brightest Star For this series, we’d be very remiss if we didn’t discuss the great swing drummer Gene Krupa. Gene was one of the most prominent people to bring drums to the forefront in an ensemble. Prior…
Dafnis Prieto
Whether it’s through his recordings, performances, videos, or multiple forms of instruction, the drummer actively seeks to knock down barriers of thought and expression. How can you expand your drumming palette for only seven dollars and in only thirty minutes?…
Vic Firth Re-Mix Brushes
A quartet of interchangeable implements for varying degrees of attack, tone, and volume. Vic Firth recently expanded its catalog with four pairs of uniquely designed Re-Mix brushes/rods made from different types of organic material, ranging from soft and subtle broomcorn…
Chris Frantz’s Remain in Love
The Talking Heads never fit neatly into the grimy mid-’70s New York punk scene that bore the Voidoids, the Ramones, and Johnny Thunders’ Heartbreakers. Transplants from the Rhode Island School of Design, the band’s initial clean-cut aesthetic ran contrary to…