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February 2012 Issue – Volume 37 • Number 2

In Chops Builders 15 and 16, we looked at two-hand coordination exercises involving 8th- and 16thnote ostinatos and various 16th-note-based rhythms. This month we’re going to shift into triplet mode. We’ll combine the two most commonly used triplet-based ostinatos—the jazz ride and the shuffle—with a variety of one- and two-beat triplet-based rhythms. Your hands will be playing with different techniques, yet they will have to remain completely relaxed. The key is to coordinate the hands so that each is seemingly unaware of what the other is doing, yet they’re playing together perfectly without hitting any unwanted flams. Mastering these exercises will greatly increase your vocabulary and will undoubtedly manifest itself in different contexts in your playing. First let’s look at the jazz ride ostinato, which you most often use on the ride cymbal. Every note in this pattern should be played as a loose rebounding free stroke to maximize flow […]
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Articles in February 2012

Brush Workshop Part 3: Linear Motion

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Jeff Hamilton

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Story by Jeff Potter | Photos by Alex Solca
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Charlie Benante: Beyond Speed

  Alongside Metallica, Megadeth, and Slayer, Anthrax is part of the “Big Four” architects of thrash metal, and the band is a monolith in the metal genre in general. Drummer Charlie Benante may be the single biggest reason for the…

Story by Billy Brennan | Photo by Lissa Wales
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Cecil Brooks III

In an age when it’s increasingly difficult to forge a career in any area of the music business, he’s a rare example of a success story in many different wings of the industry—drummer, bandleader, producer, concert promoter, and club owner.…

by Paul Wells
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Karl Brazil

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Story by Ilya Stemkovsky | Photos by Paul La Raia
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