October 2019 Issue – Volume 43 • Number 10
On 01st Oct 2019
Let’s get the obvious out of the way. Yes, Texas-based drummer JD Beck is only sixteen years old. But he’s already spent several years collaborating with a wide range of artists in the fertile Dallas, Texas, hiphop/urban music scene. He’s also wise beyond his years and thoughtful about drums and rhythm, which comes in handy when he tries to explain exactly what it is he does.
Mentored by Dallas-area drummers like Robert “Sput” Searight (Snarky Puppy), Mike Mitchell (Stanley Clarke), and Cleon Edwards (Erykah Badu), JD Beck has crafted a style of crooked beats and patterns mixed with over-the-barline fluidity that grooves in its own unique way. Singles and ghost notes fly by, and there’s definitely a pulse. But, especially for listeners whose sense of groove was baked in prior to the envelope-pushing approaches of modern kit players like Karriem Riggins and Eric Harland, everything feels somehow…different. “It’s this thing in the air,” says Beck about the unique drummers coming out of Dallas. “People play beats with this live, jazz feel. And everyone sounds like a computer, a program, which is really cool.”
Beck may have started young and with conventional lessons, but he quickly became inspired by a contemporary musical vocabulary that led him down a new path. There was a precedent set by the electronic offerings of producers like J Dilla and the kit work of players like Chris “Daddy” Dave, and Beck began to get his chops together and develop the internal meter that’s so important to sounding authentic when playing these unconventional beats. Jam sessions were attended and drumming friends made, and calls started coming in from local musicians like Jon Bap.
Articles in October 2019
Inverted Paradiddle-Diddles
Rudiments can essentially be described as groupings of single and double strokes in different configurations and rhythms.
Rancid's Branden Steineckert
“I tend to like my snares to be visually fun,” says Steineckert, “but I don’t want it to compromise my sound at all.
Remembering Hal Blaine
He helped pave the way for every great studio musician who came out of L.A., and his influence extends to this very day.
Tony Williams at a Jazz Crossroads
During his years with Miles Davis, beginning in 1963 at age seventeen, Tony Williams radically changed jazz drumming.
Theme for an “Imaginary” Drummer
To most, Corky Laing’s drumming is synonymous with the great heavy-rock band Mountain, and vice versa.
Talking About Our Generations
A teaser of the momentous drumming from 1969 that our October issue explores—and a chat with the Flaming Lips' Steven Drozd about some of his favorite music from the era.
New Releases by Santana, Oz Noy, Grupo Fantasma, and More!
New Releases From Santana, Oz Noy, Betty Carter, Grupo Fantasma and more.
George Way Drums
Ronn Dunnett acquired the rights to the brand and set out to revive the company by building and expanding upon the innovations that Way created many years ago.
The 5/4 Half-Time Shuffle
For those of you who’ve never heard the coveted half-time shuffle, which is also commonly referred to as the Purdie shuffle,...
Robert Plant and the Sensational Space Shifters’ John Blease: Fearless with Intention
He’s played with likes of Seal, Ben Folds, the BBC Big Band, Sheryl Crow, and Ellie Goulding. But landing a gig with rock ’n’ roll legend Robert Plant nearly says it all.
Sheridan Riley with Alvvays
For nearly two decades, drummer Sheridan Riley has worked with the intention to lead a life fulfilled as a proactive musician.
The Starr Festival Snare
Over the years, Gary Astridge has meticulously researched Ringo’s drumkits and assembled exact replicas of the ones used with the Beatles.
New Gear From 64 Audio, LP, Schagerl Drums, Tama, and More!
New Product Releases from 64 Audio, LP, Schagerl Drums, Tama, Air Throne, and Canopus
A Restored Gretsch Steal
This beautifully restored vintage project was from older Gretsch shells to create a road-worn-looking vintage kit that has that oft-referred-to “Great Gretsch Sound.”
Led Zeppelin II
Led Zeppelin II was released on October 22, 1969. Although initially panned by some critics, the album became the band’s first number-one album.
Zimbabwean “Tuku” Music
Combining the traditional Jit, Tsotsa, and other rhythms of Zimbabwe, the late Oliver “Tuku” Mtukudzi’s style could only be defined as distinctly his own.
Rhythm! Discovery Center Ten-Year Anniversary
The Rhythm! Discovery Center, a gem of the drum and percussion world.
The Bailey Method
The Bailey Method is longtime touring and session drummer Dan Bailey’s first opus in the world of online education.
