October 2020 Issue – Volume 44 • Number 10

Amy Aileen Wood

The drummer played an outsized part in bringing one of the most anticipated and well-received albums of the year to fruition. Amy Aileen Wood is a comfortable conversationalist, modest and engaging even when she downplays her immense skill as a…

Stick Technique Revisited

Part 4: Alley-Oop The alley-oop technique is what I call a wrist/finger combination used for playing double strokes (diddles) and triple strokes. While it can be likened to the push/pull technique, which is a wrist stroke followed by a finger…

Trivium’s Alex Bent

The metal phenomenon has an irrepressible drive to succeed—and he’s done so stunningly, slaying two of Trivium’s best albums to date, earning a Grammy nomination, and touring Europe and the U.S. extensively since 2017. Alex Bent has lived many metal…

RECORDINGS

Haken Virus The U.K. prog-rock sextet’s latest album may adhere to a lyrical narrative, but according to drummer RAY HEARNE, they’re still dedicated to evolving their sound. Embracing the mystery of their curious Cockroach King character, Haken’s new release, Virus…

Rudy Royston

His new solo album, PaNOptic, gives listeners—especially drummers—the opportunity to commune with the mind, heart, and soul of Rudy Royston, perhaps more fully than ever before. Modern Drummer has often praised the marvelous first-call jazz drummer Rudy Royston for meeting…

Meat ’n’ Potatoes—With Some Spice

This month’s KOTM is a hybrid rig that the owner uses on semi-acoustic shows with his rock band Floater. The “groovy meat ’n’ potatoes” of Portland, Oregon–based drummer Mark Powers’ set consists of a vintage Yamaha bass drum, a new…

The Great Jazz Drummers

Sidney “Big Sid” Catlett Though Sidney “Big Sid” Catlett came out of the swing era, he is best remembered for a drumming style that had a marked influence on the bop drummers of the 1940s. Catlett bridged the gap between…

The Next Best Thing

In his cover story this month, Chad Smith says, “It’s great to play in a room and record yourself. But…to me, to truly be playing music you have to be playing with other people. That’s the fun part, the human…

13th Floor Elevators: A Visual History

A deserving tribute to one of rock’s most iconic groups provides an opportunity to delve into the work of two under-considered sticksmen. Few bands have influenced rock ’n’ roll as deeply as the 13th Floor Elevators. They are the kind…

Bill Stewart

Striving for Clarity His appearance on the new John Scofield album marks thirty years of one of modern jazz’s great partnerships. But of course that’s only part of what he’s been up to lately. When Bill Stewart made his first…

John Herndon

The drummer and cofounder of the influential Chicago band Tortoise details the gear and methods he used to get “jagged and weird” on his new solo album. John Herndon is best known as a drummer/percussionist in Chicago’s Tortoise, the instrumental…

Samba Funk

Modern Fusion Beats Based on Traditional Brazilian Rhythms Hi, everybody! It’s a pleasure to be back writing for Modern Drummer and sharing some of my Brazilian culture with you. This time I am talking about my application of samba funk…

Gretsch, 64 Audio, Istanbul Mehmet, Latin Percussion, Promuco Percussion, DW

Gretsch Heritage Build Setups USA Custom and Broadkaster drums are now available with a Heritage Build option. This vintage-style look is available in any drum finish and features center-mount, double-ended lugs and extended tension rods of different lengths to suit…

Joe Morello

Chops Master and Musical Poet Joe Morello inspired thousands of drummers during his long career, which spanned from 1957, the year of his first recording session with Dave Brubeck, to 2011, when he passed away. Morello’s legacy reached a wide…

Covet’s Forrest Rice

The drummer, who’s honed his skills with a number of math-rock groups, brings ever more sophistication and fire on the new Covet record, Technicolor. MD interviews him and also chats with the band’s compelling guitarist, Yvette Young, to learn about…

Chad Smith’s Three Basic Beats to Infuse with Your Own Thing

You can get ten different people playing on a basic drumset, playing a basic rock beat, and they will all sound different. We each have a signature, and that’s a beautiful thing. It’s not “my way or the highway”—it’s about…

Remembering Neil Peart

Part 2: “De Slagwerker” Drum Solo Neil and I often talked about improvisation. He told me why his solo in “De Slagwerker” was so important to him. What follows are some of Neil’s own words, taken from his Drum Channel…

“Getting the Sound”

Detailed tutorials for recreating classic recordings from a drumming, engineering, and mixing perspective. We first checked in with Hoboken, New Jersey–based session drummer/engineer/online educator Dylan Wissing back in November 2013, when he had just gotten his studio, Triple Colossal Studio,…

October 2020 Issue – Volume 44 • Number 10

Sugar Percussion Snare Workshop

Transforming Raw Planks to “Perfect” Circles It all started with a few innocuous text messages: “How would you like to attend one of my snare classes and maybe write a little article about it?” asked Jefferson Shallenberger, founder and master…