interview
Modern Drummer is the world’s most widely read drum magazine, is dedicated entirely to the art of drumming and caters to the needs of amateur, semi-pro, and professional drummers.
Tommy Benedetti On Tour with John Brown’s Body
by Willie Rose Tommy Benedetti, longtime drummer with the Boston-based roots/reggae vets John Brown’s Body, is currently on the road with the group supporting its newest release, Fireflies. Benedetti fills each song on the album to the brim with pure…
The Damned's Pinch
When you follow a drummer like Rat Scabies into a band, as Andrew “Pinch” Pinching of British punk institution the Damned did, it’s easy to figure that to some extent, you’re always going to be viewed as “the new guy.”…
Stephen Perkins on Jane’s Addiction’s Twenty-Fifth-Anniversary Ritual De Lo Habitual Shows
Modern Drummer Online caught up with Stephen Perkins while he was prepping for a clinic tour and some dates with Jane’s Addiction, commemorating the twenty-fifth anniversary of the group’s watershed album Ritual De Lo Habitual. Just like when you…
Iconic Singer, Songwriter, and Multi-Instrumentalist Prince Dies at Age Fifty-Seven
Prince from the January 2005 issue of Modern Drummer; photo by Afshin Shahidi As music fans are still reeling from the recent passing of music legends David Bowie, Maurice White, Merle Haggard, Glen Frey, Paul Kantner, George Martin, and Keith…
Web Exclusive! JP Gaster of Clutch Talks Gear and More
Clutch, one of the most respected and influential hard rock bands of the past twenty-five years, released its eleventh studio album, Psychic Warfare, this past October. The album debuted at #11 in the Billboard Top-200 chart and landed at #1…
Tim Wyskida of Blind Idiot God on Before Ever After
From left: Tim Wyskida, Andy Hawkins, Will Dahl; Photo by Peter Gannushkin; by Will Romano This April New York experimental dub-metal band Blind Idiot God is embarking on the Raise the Titanic tour of Europe in support of…
Drive Like Jehu’s Mark Trombino
Mark Trombino By Chris Valle by Stephen Bidwell Pioneering San Diego post-hardcore band Drive Like Jehu made an indelible musical mark during its original active period between 1990 and 1995, influencing many hardcore and indie bands in the…
Josh Eppard on Coheed and Cambria’s The Color Before the Sun
Josh Eppard By Manuel Casanova by Stephen Bidwell Josh Eppard has been out with Coheed and Cambria since this past autumn. The group toured Europe in January, and March will find the band headlining the U.S. with Glassjaw…
A Different View: Gary Clark Jr.
Gary Clark Jr. By Frank Maddocks by Will Romano The last time I talked with Gary Clark Jr., it was over a decade ago and he was fitting a harp into a harmonica rack at Antone’s blues club, in…
Brit Turner on Blackberry Smoke’s Holding All the Roses
by Robin Tolleson Blackberry Smoke provided one of the year’s crossover album hits, topping country and rock charts with the Brendan O’Brien–produced Holding All the Roses. And once again, the Turner brothers, bassist Richard and drummer Brit, locked it…
The Future’s Perfect: Deantoni Parks on His Solo Album, Technoself
Deantoni Parks By Shaun Cruz by Ilya Stemkovsky If you simply hear Deantoni Parks’ newest record, Technoself, you’ll be impressed with the selection of beats and samples that exist somewhere between a club and a sentient computer. But it’s…
Jeff Hamilton: Swinging Support
Jeff Hamilton By John Clayton by Jeff Potter It’s purely coincidental that drum master Jeff Hamilton and tenor sax star Scott Hamilton share the same last name. But the eventual teaming of their swinging sympatico seemed destined. As early…
Fay Milton on Savages’ Adore Life
Fay Milton By Fabio Montecchio by Adam Budofsky “I’m relatively new to playing the drumkit,” says Savages’ Fay Milton, who came to percussion by way of modern classical music rather than the more common path of playing rock…
Daughter’s Remi Aguilella
Remi Aguilella’s distinctive, stripped-down, and tasty phrases pepper the dark, moody dream pop of Daughter’s sophomore effort, Not to Disappear. “When we started, the music was a lot more acoustic, and the two other musicians in the band were both…
